Looking for lace traces in West Cork

This post is of a more personal nature, as it summarises my own experience (Gabriela Avram’s) during a recent vacation in Bantry, West Cork.

I have been attending the West Cork Chamber Music Festival almost every year, so I am very familiar with the Bantry and Glengarriff areas. But this year I decided to make a few inquiries about Glengarriff Lace, as I was quite intrigued of its scarcity and close resemblance to Limerick lace. The first mention I heard of Glengarriff Lace was from Veronica Stuart a few years back when I first attended the International Lace Festival in Kinsale. The only photograph I could find online was the one of a collar from the Headford Lace Project collection.

We stayed in a new place this year, and when I tried to question our landlord about Glengarriff lace, he promptly introduced me to his wife, who has been an art teacher in the area for many years. She hadn’t heard anything about Glengarriff lace, but told me that the Sisters of Mercy had created a Lace School in Bantry that was active many years in the 20th century.

Embroidery and lacemaking class with examples
The Lacemaking class in the Convent of Mercy in Bantry, West Cork pose with their samples to celebrate the end of year! From the Fergus O’Connor Collection .

A bit of online research led me to the above photo from the National Library of Ireland Collection, showing a group of pupils with their work. Further research led me to the photo of the school – I am not sure if the building still exists. The former site of the Sisters of Mercy is now an assisted living establishment.

"Institutional style building in an unknown location" is a convent in Bantry
 Sisters of Mercy Convent and school in Bantry, County Cork. Fergus O’Connor collection.

The following day I went to the Bantry Library, where I got more help. The Bantry Historical and Archaeological Society publishes a journal, and in the second volume I found an article on The Sisters of Mercy in Bantry, signed by Jenny McCarthy. The article states that the Lace School was open in 1902, and it was an effort of the Sisters to teach the young girls useful skills.

On one of the following days, I visited the tiny Bantry Museum and discovered there was quite a bit of lace there – of various types – although the origin of the pieces is mostly unknown.

Also, an article on a website belonging to the Sisters of Mercy presented a more detailed history of the Bantry convent. And this is not the only place where the Sisters of Mercy were active in West Cork.

But what about Glengarriff Lace?

The UCC Library preserves, as part of the Bantry Estate Collection, typed correspondence concerning a site to be leased from the Leigh-White Estate by the Congested Districts Board, Dublin for the Glengarriff Lace School, 4 – 15 Nov. 1913. Land was leased for the construction of a Technical School of Lace Making & Hand Weaving in Glengarriff, and a photo representing a group of students is available in a private collection.

A Dáil Éireann debate on the Arts Bill from 1951 mentions:

The type of excellent lacework that you can get in little cottages around tourist spots like Glengarriff is of immense artistic quality, and has been a heritage of the people and of families. This is something that could be encouraged and developed so as to make available things of beauty and quality instead of the awfully loud, garish and unfortunate souvenirs that are plastered around this country and which are meant to be representative of something typically Irish or something produced in Ireland.

Further discussions on the characteristics of Glengarriff Lace on the Laces of Ireland Facebook Group led to a number of other contributions.

Fidelma Cosgrave, lacemaker from Limerick, told us:

“Below is Glengariff lace my brother and I bought it in 1957 or 1958 as a present for our mum. Nora Finnegan knows who made it – the lady is dead for many years. My memory of buying it is: I was 4 or 5 we went into the lady’s thatched cottage to see this old lady dressed in black making the lace. She had a large frame and she worked away on the lace. It was in the Glengariff area.”

Nora Finnegan, Kenmare Lace and Design Centre:

“I believe the Limerick Tambour Lace you had on Facebook was made by Sheila O’Sullivan from Ardgroom village. Ardgroom is near Glengariff. Sheila regularly supplied Tambour Lace to the Convent in Kenmare and after that to The Kenmare Lace and Design Centre. She passed away a few years ago.
If you look at the piece she is working on , it is very similar to the piece you had on Facebook. I have kept the other piece, because I wanted to have something made by her.

Nellie Brooks was a very talented lacemaker. She also made some lace for The Lace Centre. She lived up a steep road above Glengariff town in a lovely old cottage. She learned to make Limerick Tambour, or Glengariff Lace, from her mother in law. Nellie in turn taught it to her daughter in law, but her daughter in law passed away at a very young age and so did not get to make much of it.”

Veronica Stuart, Traditional Lacemakers of Ireland:

“A lady called Peggy Brooks used to teach in Glengarriffe, I was lucky enough to have met her a few times. Lovely lady. RIP. I have a newspaper article about her . Must look it up.”

South Armagh Lace Gathering

On 21-23 June 2024, following the invitation received from the South Armagh Lace Collective,  a delegation of Friends of Lace Limerick , including Susan Frawley, Fidelma Cosgrave, Toni O’Malley, Eva Ryley, Marina Poster and Gabriela Avram, undertook a trip to Culloville in South Armagh.

On the way, the group paid a brief visit to the Carrickmacross Lace Gallery in Carrickmacross.

The next stop was the Armagh County Museum , which is a partner in our Laces of Ireland project and will organise a dedicated lace exhibition in August 2025. A group of members from the South Armagh Lace Collective joined us for the visit. Sarah Millsopp, the curator, shared with us an important part of the lace collection that is not usually on display. The two hours reserved for the visit flew. We were all in a trance, marvelling at the exquisite work and attempting to identify lace types and provenance.

On Saturday, 22 June 2024, the members of the South Armagh Lace Collective organised a Carrickmacross Lace making class for the visiting group and for local people interested. Some were complete beginners, others like myself had attended a workshop 5 years prior (and still had the unfinished piece!). A pop-up exhibition with heirloom and contemporary lace pieces was organised in the same venue.

In the afternoon, a Lace Gathering took place at the Culloville Community Centre. The event saw the launch of the Laces of Ireland project in Northern Ireland. Rosie Finnegan-Bell, the chair of the South Armagh Lace Collective, sent invitations to the lace making community both north and south of the border, and there were more than 70 people in attendance.

The audience had the chance to appreciate the pop-up exhibition, discover new connections and talk about their own experience related to lace.

A pop-up Limerick lace exhibition was organised by Friends of Lace Limerick.

Carrickmacross lace teacher extraordinaire Mary McMahon was also present. Mary was one of the lacemakers who created the lace for Sybil Connolly’s famous dresses Pink Ice, and Illusion, now in the collection of the Hunt Museum in Limerick.

The gathering was a huge success, with enthusiastic feedback coming from all over the island of Ireland.

On the next morning, June 23rd, before departing for Limerick, the visitors were led on a tour of the Creggan Graveyard by local historian Una Walsh, whose enthusiasm, knowledge and elocution left a deep impression on the audience.

Based on a last minute arrangement, an invitation to visit lace designer PJ McCabe and custodian of the St. Louis Convent lace designs in Carrickmacross was extended to the whole Limerick group, accompanied by Rosie Finnegan-Bell. The idea of commissioning a joint design for a triptych has emerged and is under discussion at the moment.

The visit to South Armagh was supported by Creative Ireland and Limerick City and County Council through Creative Communities on a Shared Island.

Members of the South Armagh Lace Collective are expected to visit Limerick in October 2024.

Our project receives funding!

In June 2023, we have applied for funding via the Creative Communities on a Shared Island programme, strand 2. We just found out that we are one of the nine projects selected ! We are delighted with the outcome!

The project focuses on supporting collaboration and exchanges between lacemaker groups and heritage institutions on the island of Ireland, and is led by Limerick City and County Council. The partners in the project are  Friends of Lace Limerick and the South Armagh Lace Collective, and three museums: the Limerick Museum, the Armagh County Museum and the Cork Public Museum. The long term goal is to create and promote a lace trail through the majority of historical lacemaking centres on the island of Ireland. 

For the duration of the project (2023-2025), we will be organising pop-up exhibitions, presentations, demonstrations and lacemaking classes), as well as mutual visits . 

The Laces of Ireland digital platform will be further developed to include a Laces of Ireland Trail map. An all-Ireland lace trail that will include the permanent collections and lacemaking community groups available to welcome visitors, as well as a joint calendar of events.

Application submitted!

The collaboration between Friends of Lace Limerick and The South Armagh Lace Collective has led to several joint funding applications since our first joint project in 2019.

The two groups came up with the idea of a lace trail, that would map places of lace interest both in their localities, and across the island of Ireland, back in 2019. The pandemic interrupted the mutual visits, but the connections between the two groups continued online. The availability of such a lace trail has both national and international tourism potential and would encourage the organisation of lace tours throughout the island of Ireland.

In May, we identified the Creative Communities on a Shared Island programme as a potential pathway for continuing to work on this idea. We were fortunate to be able to persuade the Limerick Arts Office to support our application, as each county can put forward one project only.

The application involves our two groups – Friends of Lace Limerick and the South Armagh Lace Collective-, as well as the Limerick Museum, the Armagh County Museum and the Cork Public Museum, who all have extensive lace collections.

Fingers crossed!