The Summer of Lace 2025 on the island of Ireland

5 Jul 2025 – official launch of the Lace & Legacy exhibition in the Armagh County Museum. The exhibition will stay open until 11 Oct 2025 and will host a series of events organised by the South Armagh Lace Collective in collaboration with the Armagh County Museum.

14 Jul 2025 – Gathering of local textile crafts people at Mountmellick Embroidery Museum’s Studio with special guest Mary Elizabeth Barron, Australian lace artist.

19 Jul 2025 – Headford Brackens- Drop-in community engagement workshop with Mary Elizabeth Barron, organised by Headford Lace Project in Headford, co. Galway

20 Jul 2025 – Masterclass with Mary Elizabeth Barron – Large scale bobbin lace making with recycled plastic with Headford Lace Project in Headford, co. Galway

22 Jul 2025 – Talk and pop-up exhibition: Mary Elizabeth Barron – “My Lace Making Journey”, organised by Friends of Lace Limerick in the Limerick Museum

23 Jul 2025 – Limerick lace beginners workshop with Friends of Lace Limerick, followed by visit at the Heritage Centre, Charleville

2 Aug 2025 – Carrickmacross lace workshop, Millenium Court, Armagh

3 Aug 2025 – Borris lacemakers at the Vintage Rally in Kilkenny – A Stitch in Time – Pop-up exhibition

5 Aug 2025 – Opening of the Limerick Museum exhibition: “A Tribute in Thread – Limerick’s Forgotten Lacemakers”, organised as part of the Laces of Ireland project. The exhibition will stay open until the 30th of Aug 2025 inclusive.

6 Aug 2025 – Borris Lacemakers visiting Friends of Lace Limerick

8 Aug 2025 – The Guild of Irish lacemakers is organising two workshops for children at the National Museum of Ireland at Collins Barracks:

14 Aug 2025 – Opening of the Cork Public Museum Exhibition: “Cork’s Lace Heritage and Beyond: The Story of a Living Tradition”. This exhibition is part of the Laces of Ireland project. The exhibition will stay open until 20 Dec 2025 .

15 Aug 2025 – Friends of Lace Limerick in the Limerick City Library, part of August Craft Month

16 Aug 2025 – Friends of Lace Limerick in the Limerick City Library – Laces of Ireland pop-up exhibition as part of Heritage Week

16-23 Aug 2025 – Celebrating 20 Years of Traditional Lacemaking in Ireland – exhibition of the Traditional Lacemakers of Ireland in the Cork City Library; closed on Sunday, 17 Aug.

16 Aug 2025 – Lace workshop and a fashion show featuring traditional Irish lace, 11am-3pm, organised by The Traditional Lacemakers of Ireland in Cork City Library

16 Aug-24 Aug 2025 – Irish Crochet Lace Revival Showcase -exhibition of the Irish Crochet Revival Group in the Tallaght Library, Dublin.

21 Aug 2025 – Visit Cork Public Museums New Lace Exhibit & Drop in Talk, 10:30am-12:30pm, organised by the Cork Public Museum in collaboration with the Traditional Lacemakers of Ireland at the Cork Public Museum, Fitzgerald Park

 23 Aug.2025 – Meet the Maker Showcase session with the Irish Crochet Revival Group from 10am to 1pm in the Tallaght Library, Dublin.

Cork Public Museum Exhibition: “Cork’s Lace Heritage and Beyond: The Story of a Living Tradition”

As part of the Laces of Ireland project, Cork Public Museum announces a dedicated lace exhibition titled: “Cork’s Lace Heritage and Beyond: The Story of a Living Tradition”.

The exhibition will open on the 14th of August, and will remain open until the 20th of December 2025.


This exhibition explores the story of lace in Cork and beyond— a tradition rooted in skill, creativity, and community. From delicate patterns to enduring legacies, visitors are invited to discover how lace connects the past with the present.


Cork Public Museum is operated by Cork City Council and welcomes all visitors to enjoy its exhibitions and collections in the beautiful surroundings of Fitzgerald Park.

This project has been made possible through the Creative Communities on a Shared Island
Scheme, supported by Creative Ireland and Limerick City and County Council.

Limerick Museum exhibition: “A Tribute in Thread: Limerick’s Forgotten Lacemakers”

As part of the Laces of Ireland project, Limerick Museum announces a dedicated lace exhibition titled: “A Tribute in Thread: Limerick Museum exhibition: “A Tribute in Thread: Limerick’s Forgotten Lacemakers”.

The exhibition will run from Tuesday, 5th of August until Saturday 30th of August, at the Limerick Museum on Henry Street.

More details following soon!

This exhibition is one of the three major exhibitions organised as part of the Laces of Ireland project. The project is funded by Creative Ireland’s Creative Communities on a Shared Island Scheme, and Limerick City and County Council through Creative Ireland Limerick.

Opening of “Lace and Legacy” exhibition at the Armagh County Museum

The Lace & Legacy exhibition was launched on Saturday, 5 July 2025 at the Armagh County Museum, and will stay open until the 11th of October 2025. Present at the launch were representatives of The South Armagh Lace Collective, who had an important contribution to the concept and organisation of the exhibition, as well as representatives of Friends of Lace Limerick, and of various lacemaker groups. Lace artists Theresa Kelly, Natalie Coleman and Olwen Burke were also present.

During the following month, The South Armagh Lace Collective will organise a series of events in the museum. More details coming soon.

This is what Rose Nichols had to say about the exhibition:

This exhibition brings together historic lace from the Museum’s collection along with antique and contemporary examples created by lace groups working throughout Ulster. The photos only show a tiny glimpse of the beauty and breath of the work on display. You really need to pay a lengthy visit to the Museum this summer to see and savour it for yourself. The Exhibition is open to the public from Monday, 7th July to Saturday, the 11th October 2025. I urge you all to go and pay a visit. You will not regret it.

Below, a few photos by Rose Nichols:

This exhibition is one of the three major exhibitions organised as part of the Laces of Ireland project. The project is funded by Creative Ireland’s Creative Communities on a Shared Island Scheme, and Limerick City and County Council through Creative Ireland Limerick.

A Lace-Focused Winter Trip

My last visit to the Nano Nagle Place happened in September 2005, and my memories are blurred. The new Nano Nagle Place is a really interesting and inspiring architectural ensemble, with a modern entrance through a shop, gardens, an old graveyard, a museum, and not one, but two cafés.

In August, Friends of Lace Limerick were contacted in relation to the use of a photo of Limerick lace. The photo was to be included in the digital presentation available to see in the exhibition and online “Lace Revival in Ireland: Weaving Heritage into the Present”.

The exhibition includes some remarkable needle and crochet lace pieces coming from the collection of the Presentation Convent in Youghal.

We were told that the current exhibition will remain in place until August 2025.

In 1987, a pivotal chapter in the story of Youghal Lace unfolded. Sister Mary Coleman and Veronica Stuart, from Carrigaline, undertook a meticulous task. They unraveled a piece of Youghal Lace, delving deep into its intricate patterns and techniques to ensure the craft’s survival.

I have attempted to learn the first steps in Youghal lace the previous year, and I was keen on studying more pieces and meeting actual lacemakers. Veronica Stuart had an outstanding contribution to its revival in 1987, when together with sister Mary Coleman, they unraveled a piece of Youghal Lace and deciphered the various points.

We had met a few members of the Needle point lacemakers group from Youghal at different events, and I got permission to join the group on Wednesday, 11 December 2024, in the Youghal Library. The Library also has some exquisite Youghal lace pieces on exhibit.

The group gave me a very warm welcome and told me many interesting stories. The most interesting one was the one of the lace train gift made by Youghal lace-makers for Queen Mary to wear at the time of the Delhi Durbar (a mass assembly in Delhi to mark the coronation of the king and queen.) This train is said to be the largest lace creation ever – it contained 5,250, 000 stitches made from nearly 12 miles of thread.

The train was going to be gifted to the Queen on behalf of Northern Unionists. The Youghal lacemakers had the Gaelic reflection, ‘Deanta (made) in Eireann’ embroidered in the train. It was discovered, removed and replaced by a shamrock.

This is a recording of Bridgid Keane , who has been teaching Youghal lace since 1989. I had the honour to meet the lady and hear about the local efforts to establish a possible museum. She also showed me some exquisite pieces from her collection.

The video below shows some of the faces behind the lace – a rare feast, as so many lacemakers remain completely unknown. I found a lot of useful information on the Youghal Online website.

And this article by Erin Frumet uses the name Cork’s “Point de Venice” for Youghal lace.

The Cork Public Museum was entrusted with the storage and preservation of many patterns that were used by the Presentation Convent in Youghal.

The V&A has some impressive pieces of Youghal lace in its collection.

It was a bitterly cold day, and we stepped into the Tourist Information Centre, just to discovered there is a Heritage Centre next to it, which also has a few lace pieces on display.

Laces of Ireland stand at the Knitting&Stitching Show in Belfast

At the beginning of 2024, the Guild of Irish Lacemakers was contacted to discuss the opportunity of having a stand at the Knitting&Stitching Show in Belfast from the 7th to the 10th of November 2024.

The Knitting and Stitching Show used to come to RDS every year, and it was a huge event for every crafter in the country. Following Brexit, the organisers decided to bring the show to Northern Ireland, rather than Dublin.

The Guild’s committee called on all lace groups around the country for expressions of interest, as we are all volunteers and it would have been extremely difficult for one group to cover 4 days.

We had several Zoom meetings throughout the year, and, based on the preferences expressed by various lacemaker groups, we came up with a list of participating groups and a roster. Sara Clancy was brilliant as coordinator and the brain of the operation, and a WhatsApp group helped us communicate closer to the show dates.

Thursday, 7 November 2024

Headford Lace Project and Borris Lacemakers represented the Laces of Ireland network on the first day:

Friday, 8 November 2024 – Friends of Lace Limerick

Saturday, 9 November 2024 – The South Armagh Lace Collective

Sunday, 10 November 2024 – The Guild of Irish Lacemakers

We met so many people interested in lace – young and old – that we think our efforts really paid off. Despite of the complete absence of lace material suppliers from the show, we enjoyed our time in Belfast and would consider such an opportunity again.

Researching the sources of Limerick lace

An article brought to our attention by one of our members – the text of a lecture titled “The Timeless Prestige of Kilrush Lace”, delivered by Tom Prendeville to the Kilrush Historical Society at An Teach Ceoil on Tuesday, September 23rd 2014 and stored in the Clare County Library was the starting point.

Around the 1800s, the Vandeleur family was involved in “planning a new modern town with broad commercial thoroughfares, a Market House constructed in 1808 as the centrepiece in a quadrangular confluence of the streetscapes.” Kilrush was a thriving town, but structured education was missing.

The article speaks about Colonel Crofton Vandeleur’s initiative of approaching Charles Walker, “the man credited with being the founder of Limerick lace.” “Walker, it seems, had chosen Limerick, a garrison town, because of its tradition of sewing gloves, military uniforms and white embroidery worked for shops in Glasgow and London. The history of Limerick lace shows that Mr Walker brought 24 young ladies from Nottingham and Coggeshall to Limerick to teach, at the outset, six local girls the lace-making skills of Nottingham and Coggeshall lace.”

According to the article, Vandeleur persuaded Charles Walker to visit Kilrush in the late 1830s and offered him rent-free premises for “a lace factory at the area known as the Manse, at Factory Lane, Lower Moore Street”. Walker opened his lace factory in Kilrush in 1839 bringing along Nottingham and Coggeshall lace-making tutors/trainers.

First, we had never heard there was lace ever made in Kilrush, and there are barely any traces left in the memory of locals (after all, this was almost 200 years ago!). Let us know if you have come across any lace piece made in Kilrush or have any family stories about this!

The “Amazing Lace” history of Limerick lace published in 2014 by Dr. Matthew Potter tells us:

Charles Walker, the founder of Limerick lace, was born in Oxford, studied to become a clergyman but was never ordained.13 Possessed more of an aptitude for business than the church, he completed an apprenticeship with an engraver and copperplate printer in Oxford. He moved to London where he met the owner of a lace factory in the village of Marden Ash, near the little town of Chipping Ongar, Essex. He married Margaret, a widowed daughter of the owner, and moved to Marden Ash to manage the family lace factory. The newly established Essex lace industry had begun in 1816 when a French- Belgian lace maker named Drago and his two daughters introduced tambour lace making to the town of Coggeshall in Essex, near Chipping. Later the manufacture of Coggeshall lace spread to other parts of Essex. For this reason, it can be said that Limerick lace is directly descended from Coggeshall lace and as shall be seen below, to a lesser extent from Nottingham lace.”(Amazing Lace, p.26)

Was this French- Belgian lace maker named Drago from Lier? Or Luneville?

We don’t know for sure. But he seems to have brought to Essex the style known as Coggeshall lace, that was later on brought to Limerick by Charles Walker.

But when did the needle-run style emerge? 

“Walker and many of his successors produced tambour work, but needlerun, the second category of Limerick lace, was introduced to the city by Jonas Rolf (or Rolph), a lace merchant and manufacture of Coggeshall and Nottingham, and a director of Courtaulds, the British textile manufacturers. In the late 1830s, he established a factory in 20-21 Clare Street (which subsequently relocated to Patrick Street) and brought over Mary Mills, an experienced lace maker and designer from Coggeshall to train his workforce. Her husband also worked in the business as an accountant. In the 1870s and 1880s, Mary Mills had her own lace business in St John’s Square, which was eventually taken over by Cannock’s department store on George’s (now O’Connell) Street.68 Thereafter, the production of Limerick lace was divided between both tambour and needlerun lace.”(Amazing Lace, p.33)

And let’s not forget the Italian ricamo su tulle, and the Plauener Spitze in Germany.

Limerick lace is a proud member of the European family of embroidery on net style laces!

South Armagh Lace Collective visiting Limerick

Between 4 and 6 October 2024, a delegation of The South Armagh Lace Collective came to visit Limerick , following the invitation of Friends of Lace Limerick.

Day 1 of the visit was spent in the Limerick Museum, studying and discussing pieces from the Florence Vere O’Brien and the Maude Kearney collections.

On Day 2 of the visit, Eva Ryley taught a Limerick lace workshop in the Limerick Museum in the morning.

In the afternoon we paid a visit to the Sisters of Mercy Provincial Heritage Centre in Charleville, hosted and guided by Sr. Bernadette Knopek. Sr. Bernadette was an amazing host, bringing artefacts to life with the stories she told us. We are really sorry to hear that the Heritage Centre closure is imminent – it is such an important repository of Ireland’s lacemaking history!

Day 3 was dedicated to a Limerick city walking tour, with an emphasis on “places of lace”: Todd’s, Cannock’s, the different sites of Florence Vere O’Brien s lace school (Bank Place, 112 and 48 George Street), Thomondgate where Thomond Lace Industry was based, Clare Street, where the David Kinnear and the David McClure manufacturers were based, and finishing with the site of the Good Shepherd Convent.

On the way back, we paid a visit to the Antique Loft at the Limerick Milk Market and had coffee together in The Savoy Hotel . Less photos, as we were too busy making plans!

We had a wonderful time together, and we are all looking forward to meeting again soon!

Culture Night – 20 September 2024

Here are the lace-related events happening around the country, as advertised by the Culture Night website::

History And Lacemaking Demonstration With Youghal Needlepoint Lace Group, Youghal Co. Cork, , 16:00-17:15, an opportunity to see past and present

An Evening Celebrating Youghal Lace, Youghal, co. Cork, 19:00-21:00- Showcasing pieces of Youghal lace, photographs and memorabilia with light refreshments served on the night.

If Lace Could Talk – Lace Stories, Limerick, co Limerick, 18:00-20:30, – a 10 min video running in a loop in the Limerick Museum , presenting the stories behind five lace objects (both traditional and modern) designed to be worn. The video will also premiere on YouTube on Culture Night.

LACE AGUS CEOL, Borris, Co.Carlow – 20:00-23:00 – a brief talk about Borris Lace, accompanied by a display of beautiful samples of the lace, followed by lively entertainment from local traditional musicians.

Limerick Lace And The Laces Of Ireland Project, Headford, co. Galway -20:00 – 22:00 – Gabriela Avram (Friends of Lace Limerick) will introhttps://culturenight.ie/event/limerick-lace-and-the-laces-of-ireland-project/duce the history and heritage of Limerick Lacemaking. After that, she will also outline the project ‘Laces of Ireland – An All Ireland Lace Trail‘.

Heritage in Lace, Cork, co. Cork, 17:00 – 21:00 – Irish Lace exhibition at Nano Nagle Place Museum .

Lace in Russborough House

Russborough House is situated in West Wicklow, not far from Dublin. It was built in the mid-1700s for the 1st Earl of Milltown, and later it became home to the world-famous Beit Collection.

Its classical design, perfect scale, architectural detail, and exquisite decoration marks this Palladian jewel as the most beautiful Georgian house in Ireland” says the website description.

During a recent visit, Sara Clancy, lacemaker and lace curious, visited Russborough House and spotted a few interesting pieces.

The dressing gown was created by Sybil Connolly with lace owned by Lady Beit.